This was a pivotal position in a recording company, because the A&R executive decided which musicians and songs would be recorded and promoted by that particular record label. Miller joined Mercury Records as a classical music producer and served as the head of Artists and Repertoire (A&R) at Mercury in the late 1940s, and then joined Columbia Records in the same capacity in 1950. He also performed Beethoven's Symphony No. Īs part of the CBS Symphony, Miller participated in the musical accompaniment on the 1938 radio broadcast of Orson Welles's Mercury Theater on the Air production of The War of the Worlds. De Lancie then gave the rights for the premiere to Miller. However, since meeting the composer, de Lancie had won a section oboist position with the Philadelphia Orchestra, and as a junior player to the orchestra's principal oboist Marcel Tabuteau was unable to fulfill Strauss's wishes. Strauss had originally assigned rights to the premiere to John de Lancie, who gave him the idea for the concerto while stationed near Strauss's villa in Garmisch. Miller gave the American premiere of Richard Strauss's Oboe Concerto in a 1948 radio broadcast. Miller played the English horn part in the Largo movement of Dvořák's New World Symphony in a 1947 recording conducted by Leopold Stokowski. He worked with Frank Sinatra on the 1946 recording of "The Music of Alec Wilder". Īfter graduating from Eastman, Miller played with the Rochester Philharmonic Orchestra and then moved to New York City, where he was a member of the Alec Wilder Octet (1938–41 and occasionally later), as well as performing with David Mannes, Andre Kostelanetz, Percy Faith, George Gershwin, and Charlie Parker. After graduating from East High School he attended the Eastman School of Music in Rochester, where he met and became a lifelong friend of Goddard Lieberson, who became President of the CBS music group in 1956. Miller took up the oboe at first as a teenager, because it was the only instrument available when he went to audition for his junior high school orchestra. Mitch had four siblings, two of whom, Leon and Joseph, survived him. His mother was Hinda (Rosenblum) Miller, a former seamstress, and his father, Abram Calmen Miller, a Russian-Jewish immigrant wrought-iron worker. Mitchell William Miller was born to a Jewish family in Rochester, New York, on July 4, 1911. A graduate of the Eastman School of Music of the University of Rochester in the early 1930s, Miller began his musical career as a player of the oboe and English horn, making numerous highly regarded classical and popular recordings. Miller was one of the most influential people in American popular music during the 1950s and early 1960s, both as the head of A&R at Columbia Records and as a best-selling recording artist with an NBC television series, Sing Along with Mitch. He was involved in almost all aspects of the industry, particularly as a conductor and artists and repertoire (A&R) man. Mitchell William Miller (J– July 31, 2010) was an American choral conductor, record producer, record-industry executive, and professional oboist.
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